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Chris Lisle accents angles at Lollapalooza with Chauvet

While already working on Lollapalooza’s main and second stages, lighting designer Chris Lisle was approached by the festival’s PM Brandon Sossamon about creating the rig for Perry’s Stage too.

As is typical of EDM stages, Perry’s was dominated by video. So, Lisle and his assistant LD Erik Parker began their design by layering video panels supplied by Go Vision, before filling the gaps in the Z truss configuration of those panels with lighting from Bandit Lites.

A key element that held everything together in this multi-level rig were 78 Chauvet Professional Colorado Solo Battens. “Much of our concept for the rig was based on Z-shaped trussing from Reed Rigging,” says Lisle.

Chris Lisle and his CLLD, LLC team stacked the Colorado Solo Battens in the Perry’s rig vertically to fill the space between the video panels. From these positions, the RGBAW linear fixtures lent a visual continuity to the panoramic video display that ran the width of the stage.

Justin Casey, who ran FOH for the CLLD, LLC team used the LED batten’s 12 individual sections to create pixel mapped chase sequences. So too did many of the visiting LDs. Some of the acts on Perry’s Stage used the Colorado Solo Batten as a mood-changing wash.

www.chauvetprofessional.com

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