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Marshall POV cameras for Dayglo Presents’ concert livestreams

Live music and media company Dayglo Presents’ Fans.live has streamed thousands of concerts from the venues it operates, including Brooklyn Bowls in multiple cities, The Capitol Theatre and Garcia’s in Port Chester, New York, Lockn’ Farm in Arrington, Virginia, and from its Relix Studios in New York City.

As Sr. VP of Marketing and Streaming at Dayglo, Jonathan Healey also serves as the on-site engineer in charge and director for most of these live concert streaming events. Healey is a longtime collaborator with Dayglo founder Peter Shapiro and was instrumental in creating “Fare Thee Well: Celebrating 50 Years of Grateful Dead” which set the record for the largest music pay-per-view event of all time, with more than 400,000 cable/satellite subscriptions and online streams.

To deliver the performances, Healey uses miniature CV503 and CV506 POV Cameras from Marshall Electronics. Dayglo has been using Marshall cameras for close to ten years now. “When I am personally directing shows, they are the backbone of the video system”, says Healey.

The cameras are used primarily to capture drums and percussion as well as keyboards and organs. “While every one of our venues has two or three CV506s, our traveling rig has up to seven CV503 cameras”, adds Healey. “We mount them on mic stands with mic adaptors. We also use the Marshall’s wide FOH for static live shots of the crowd as well as in the back of the room to capture crowd participation.”

Healey most recently deployed his Marshall cameras as he traveled the country for nine Phil Lesh shows at the Capitol Theatre in NY and six Bob Weir shows, three at The Warfield in San Francisco, two at Mission Ballroom in Denver and one at Westville Music Bowl in New Haven.

(Photos: Dayglo/Jonathan Healey/Marshall Electronics)

www.marshall-usa.com

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