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Roundhouse invests in all Robe moving light rig

London’s Roundhouse concert and performing arts venue in Camden now has an all Robe moving light rig with a recent investment in twenty Esprite luminaires, fitted with the HP (High Performance) LED engine for the highest output and strongest colours. The order was overseen for Robe UK by Curtis Lewis, their business development manager for the London area.

These fixtures join 82 existing Robe moving lights at the venue - 42 x LEDBeam 100s, 16 x DLF Washes, 6 x DLX Spots and 6 x LEDWash 600s - with the Esprites now the primary house rig spot fixtures, and available to all incoming productions. Roundhouse head of lighting Steve Royle explains that the new Esprites are part of a major technical update and an ongoing sustainability drive to make the Roundhouse as energy efficient as possible.

Royle has held the head of lighting post since 2010 and was instrumental in the purchase of the LEDBeam 100s, DLF Washes and LEDBeam 600s in 2013. At that stage, there wasn’t an LED spot fixture on the market that was bright and viable enough to add to the rig, so they went with a set of discharge source fixtures.

The Esprites are rigged on the advance, rear, and mid trusses. The advance truss position is above the audience, so they are ideal for key lighting and specials. They are also the first moving lights in the house and in these positions with framing shutters, so a cherry picker is not required on most days for focusing generic fixtures which was the procedure previously. Some older generic profiles remain in the house which still require manual focusing. They are now the only non-LED luminaires in the house rig.

The Roundhouse house lighting rig is controlled via an Avolites Arena console with a TNP (TitanNet Processor) and a Rock Solid Technologies “rock switch” at FOH which flips eight universes of DMX and one Cat5 simultaneously, providing an A/B switching facility between the house desk and any guest lighting consoles.

An average month sees around twenty shows staged in the busy venue which embraces music shows, circus, and other performance arts plus assorted business events. Profits are ploughed back into the facilities and the venue’s charitable work. Thousands of young people take part in music, media and performing arts projects each year at the Roundhouse, including training in backstage roles as well as accessing the studio spaces.

As well as this, the venue recently opened Roundhouse Works, a new creative centre for freelancers and entrepreneurs which includes a workspace and a range of studios. Steve Royle works with an in-house technical crew of twelve including eight venue techs, two senior techs, himself, and a technical manager, and above them are head of technical and production Ruth Butler plus four production managers.

Pictured: Burna Boy, The Darkness, Overmono. (Photos: Corinne Cumming/Harry McCulloch/John Williams)

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