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BG Event deploys 260 Martin Audio boxes at Puskas Arena

260 Martin Audio loudspeakers were on duty for a series of concerts at the Puskas Arena in Budapest recently. Spread across three weekends, with three sets of artists, BG Event staged one of their biggest productions ever in the 67,000-cap multi-purpose stadium.

The first weekend saw 22-year-old singer-songwriter Azahriah playing three shows, to a total of 120,000 people. This was followed by the band Hungaria with their 1950s rock and roll style, and the final band was Halott Pénz (Dead Money), celebrating their twentieth anniversary with this show.

It was the first time the production company had worked at this venue. Closed from 2002 to 2019 for a complete rebuild, according to BG Event’s Gábor “Mazsi” Bácskay, “the team of architects failed to take into account the acoustic requirements of a concert and focused solely on sports events”. He describes the new manifestation as being “like a large chimney with loads of reverb and echoes. We experienced a 6-8-second reverb at any position, and no curtains or any attenuation were built in.”

BG Event turned to their alliance partners Solotech, with whom they have worked many times at the Sziget Festival main stage. “But as an independent company these (latest) shows were the largest full-service audio jobs we have done”, says Bácskay.

The planning phase began back in November 2023, and the demands were quickly defined. Bácskay was determined to use Martin Audio “rather than just any gear that was available”. Knowing they would need to be deployed for between four to five weeks they needed to make hard decisions, not only about sourcing further MLA enclosures “but also not many production companies would have 50 m chain length for hoists or looms for 70-plus metres”.

Earlier in the year they had boosted their MLA stock in readiness for the season. “Therefore we almost possessed everything we needed”, says Bácskay. “However, we rented a few MLA Compact cabinets for the ring delays from our long-term partner Szatyi Stage Team. For the rest we had a large number of Merlin processors and distros so that we could prepare the complete optical chain in our warehouse, enabling just a quick setup at the venue.”

On site BG’s tech team needed to work closely with the light designers and the next challenge was identifying hang positions without interfering with the LED screens and lighting trusses. “Finally, there were obvious acoustic disadvantages due to the basic properties of the building and we had to do our best to counterbalance them and provide the audience with the best coverage possible”, says Bácskay.

The main PA hangs comprised seventeen MLA (plus an MLD Downfill) on each wing and an identical configuration for the outhangs. The MLX subs were unable to be flown due to the design structure and so were arranged in fourteen stacks - three MLX per stack, with the bottom one reversed - and this cardioid principle produced the desired result. At the rear of the stadium they rigged four delay towers, comprising twelve MLA (and MLD Downfill) on the outers (LL-RR), 11+1 MLA/MLD on the inners (L-R).

They also fielded eight ring delays to cover the third tier. “Although the house has installed a lot of speakers, since the direction of those cannot be changed, we preferred to have four delay hangs of eight MLA-C each, and another four delays with ten MLA-C, giving a total of 72 boxes”, says Bácskay. A further 24 MLA-Cs were used for front fills across the stage lip, depending on show set up. A large auxiliary (17 m x 17 m) “B” stage formed part of the week one design (removed for later shows).

Bácskay says that the “B” stage performance had provided a challenge for Azahriah’s sound engineer due to the artist’s quiet vocal, “but we were able to assist with the main hang zones - making a second zone from the last four boxes, and preparing a separate EQ to kill any feedback”. The delay times were calculated using Display 3 software. “We didn't need to use Hard Avoid”, adds Bácskay.

BG Event provided full FOH system support. First week for Azahriah, Zoltán Osztheimer was at FOH, second week for Hungaria, Dániel Tóth and Zsolt Gyulai were on duty, and the final week Zalán Ösz was at FOH. At pre-config stage BG also consulted with Marci Mezei, as often in the past. Bácskay credits BG Event owner Gergely Szentiványi for investing further in the MLA fleet: “The company owns more than 120 MLA - an outstanding quantity in a region of this size.”

(Photos: BG Event/Martin Audio)

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